Single authored: D'Errico, Lucia. 2018. Powers of Divergence. An Experimental Approach to Music Performance. Leuven: Leuven University Press. Co-edited books: Assis, Paulo de and Lucia D'Errico (eds.). 2019. Artistic Research. Charting a Field in Expansion. New York/London: Rowman & Littlefield International. Chapters in books: D'Errico, Lucia. 2022 (in peer review). “In Search for Art's Relevance for Itself: Artistic Research and the Aesthetic Regime of Art,” in Jesús Tejada (ed.), New Paradigms for Music Research: Art, Society and Technology, University of Valencia, SPI. D'Errico, Lucia. 2022 (in print). “Togliere di scena,” in Bernd Herzogenrath (ed.), Concepts: A Travelogue. New York: Bloomsbury Academic. D'Errico, Lucia. 2022 (in peer review). “Musicistica,” in Bernd Herzogenrath (ed.), Sound Word Almanac. Cambridge (MA): MIT Terra Nova Press (to be confirmed). D'Errico, Lucia. 2020. “Sound Beyond Representation. Experimental Performance Practices in Music,” in Marcel Cobussen and Michael Bull (eds.), Handbook of Sonic Methodologies. New York City: Bloomsbury Academic. Assis, Paulo de, and Lucia D'Errico. 2019. “Introduction,” in Paulo de Assis and Lucia D'Errico (eds.), Artistic Research. Charting a Field in Expansion. New York/London: Rowman & Littlefield International. D'Errico, Lucia. 2019. “For a Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro Freitas,” in Paulo de Assis and Paolo Giudici (eds.), Aberrant Nuptials: Deleuze and Artistic Research 2. Leuven: Leuven University Press. D'Errico, Lucia. 2018. “Aberrant Likenesses: The Transposition of Resemblances in the Performance of Written Music,” in Michael Schwab (ed.), Transpositions. Aesthetico-Epistemic Operators in Artistic Research. Leuven: Leuven University Press, pp. 59–74. D'Errico, Lucia. 2018. Chapter and artwork. “Reflection,” in Daniel Leech-Wilkinson and Helen M. Prior (eds.), Music and Shape. Oxford: Oxford University Press, pp. 30-32. D'Errico, Lucia. 2017. Chapter and artwork. “)( Z )(,” in Paulo de Assis and Paolo Giudici (eds.), The Dark Precursor: Deleuze and Artistic Research. Leuven: Leuven University Press, p. 345.