1st Period

Piano

15.07.2019 - 27.07.2019

Robert Levin

Languages: English, German, French

Pianist Robert Levin has performed throughout the United States, Europe, Australia and Asia. His solo engagements include the orchestras of Atlanta, Berlin, Birmingham, Boston, Chicago, Cleveland, Detroit, Los Angeles, Montreal, Philadelphia, Toronto, Utah and Vienna on the Steinway with such conductors as Semyon Bychkov, James Conlon, Bernard Haitink, Sir Neville Marriner, Seiji Ozawa, Sir Simon Rattle, Esa-Pekka Salonen and Joseph Silverstein. On period pianos he has appeared with the Academy of Ancient Music, the English Baroque Soloists, the Handel & Haydn Society, the London Classical Players, the Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique, with Sir John Eliot Gardiner, Christopher Hogwood, Sir Charles Mackerras, Nicholas McGegan, and Sir Roger Norrington. Renowned for his improvised embellishments and cadenzas in Classical period repertoire, Robert Levin has made recordings for DG Archiv, CRI, Decca/London, Deutsche Grammophon, Deutsche Harmonia Mundi, ECM, Klavierfestival Ruhr, New York Philomusica, Nonesuch, Philips and SONY Classical. These include a Mozart concerto cycle for Decca/London with Christopher Hogwood and the Academy of Ancient Music; a Beethoven concerto cycle for DG Archiv with John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique (including the world premiere recording of Beethoven’s arrangement of the Fourth Concerto for piano and string quintet); and the complete Bach harpsichord concertos with Helmuth Rilling as well as the six English Suites (on piano) and both books of the Well-Tempered Clavier (on five keyboard instruments) as part of Hänssler’s 172-CD Edition Bach-Akademie. Deutsche Harmonia Mundi released a disc of Mozart piano sonatas in 2006. A passionate advocate of new music, Robert Levin has commissioned and premiered a large number of works, including Joshua Fineberg’s Veils (2001), John Harbison’s Second Sonata (2003), Yehudi Wyner’s piano concerto Chiavi in mano (Pulitzer Prize, 2006), Bernard Rands’ Preludes (2007) and Thomas Oboe Lee’s Piano Concerto (2007). His recording of the complete piano music of Henri Dutilleux was issued by ECM. In 2013 Hyperion will release a recording of the complete Beethoven works for piano and cello on period instruments with Steven Isserlis.
Robert Levin’s active career as a chamber musician includes a long association with the violist Kim Kashkashian. He appears frequently with his wife, pianist Ya-Fei Chuang, in duo recitals and with orchestra. After more than a quarter century as an artist faculty member at the Sarasota Music Festival he succeeded Paul Wolfe as Artistic Director in 2007.


In addition to his performing activities, Robert Levin is a noted theorist and musicologist and is the author of a number of articles and essays on Mozart. A member of the Akademie für Mozartforschung, his completions of Mozart fragments are published by Bärenreiter, Breitkopf & Härtel, Carus, Peters, and Wiener Urtext Edition, and recorded and performed throughout the world. His completion of the Mozart C-minor mass, commissioned by Carnegie Hall, was premiered there in January 2005 and has since been recorded and widely performed. Robert Levin is President of the International Johann Sebastian Bach Competition (Leipzig, Germany), and a member of the American Academy of Arts and Sciences. For twenty years he was Dwight P. Robinson, Jr. Professor of the Humanities at Harvard University.


 


In line with the reorientation of the International Summer Academy focusing on the work of W. A. Mozart, participants of this master class are cordially invited to prepare at least one work by W. A. Mozart.